To: | [email protected] |
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Subject: | Re: LF: Key Clicks |
From: | Rik Strobbe <[email protected]> |
Date: | Wed, 25 Aug 2004 12:28:57 +0200 |
In-reply-to: | <001c01c48a86$7eaf87a0$0a03210a@Hugh> |
References: | <[email protected]> <002501c44c6a$86f27ee0$e901a8c0@bob2l2u6k2n1g3> |
Reply-to: | [email protected] |
Sender: | [email protected] |
Hello Hugh, Just look at CW signal as an AM signal. Assume you have very hard edged "on / off" keying and key an long series of dots at a speed of 12 WPM : 12 WPM = 600 dotlengths per minute (according to the "PARIS" system 1 word = 50 dotlengths), so in fact you modulate an AM TX with a 5 Hz rectangular "audi signal". The spectrum of this signal will be a carrier with a whole bunch of sidebands in 5 Hz intervals from the carrier. The first sidebands (carrier +/- 5Hz) is useful all the other (higher) sidebands are waste (wasted power + useless bandwidth) and and show up as keyclicks. As the keying gets softer (longer rise- and falltime of the keying) the higher sideband will become weaker (less keyclicks). In order to have no higher sidebands at all you would have to get modulation (= keying) sinusoidal. In that case the modulation signal has no harmonics and thus keying will be clickless. So far the theory, because the above assumes a long (a la limite endless) series of dots. Our real-world CW instead is a rather random sequence of dots and dashes. But regardless how you do the keying the worst condition (largest bandwidth) is a series of dots. This means that the "useful bandwidth" of a CW signal is determined by speed and the maximum "audio component" of the keying can be determined as : Fmax = WPM/2.4 where Fmax = the
highest useful "audio frequency" (in Hz) and WPM = keying
speed (in words per minute)
So the ultimate way to get a clean CW signal is to filter they keying
signal through a good LPF at Fmax.But in most cases a simple RC filter will give the best "effort vs. result" ratio. 73, Rik ON7YD At 10:32 25/08/2004 +0100, you wrote: Good morning all, |
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