To: | [email protected] |
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Subject: | LF: Re: Re: Re: Best tone for aural copy |
From: | "Dick Rollema" <[email protected]> |
Date: | Mon, 22 May 2000 14:52:44 +0200 |
Organization: | Freeler |
References: | <[email protected]> <[email protected]> <001c01bfbcbe$1b0fed60$a747b28f@w8k3f0> <[email protected]> <007601bfbf7a$c587f440$120035d5@w8k3f0> <[email protected]> <000901bfc099$3c9525c0$40d899d4@w8k3f0> <[email protected]> <002b01bfc239$ea9019e0$2546b28f@w8k3f0> <003301bfc33c$fe42ada0$d097073e@dave> |
Reply-to: | [email protected] |
Sender: | <[email protected]> |
To All from PA0SE Dave, G3YMC wrote 3. On the subject of receive notes. I also noted that Harry optimises his filter for 1kHz. Many operators including myself prefer a lower note, 600-800Hz or even lower. I suspect it is the optimisation of the frequency relative to background noise, and with a narrow audio filter may be less noticeable> The Swedish thesis shows that around 500Hz the ear/brain is at its best in copying wek signals in noise. 73, Dick, PA0SE |
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