Return-Path: Received: (qmail 2079 invoked from network); 25 Dec 2001 02:58:29 -0000 Received: from unknown (HELO murphys-inbound.services.quay.plus.net) (212.159.14.225) by excalibur-qfe1-smtp-plusnet.harl.plus.net with SMTP; 25 Dec 2001 02:58:29 -0000 X-Priority: 3 X-MSMail-Priority: Normal Received: (qmail 13373 invoked from network); 25 Dec 2001 02:58:30 -0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 Received: from unknown (HELO post.thorcom.com) (212.172.148.70) by murphys.services.quay.plus.net with SMTP; 25 Dec 2001 02:58:30 -0000 Received: from majordom by post.thorcom.com with local (Exim 3.33 #2) id 16Ihkd-0006OT-00 for rsgb_lf_group-outgoing@blacksheep.org; Tue, 25 Dec 2001 02:55:35 +0000 Received: from imo-d10.mx.aol.com ([205.188.157.42]) by post.thorcom.com with esmtp (Exim 3.33 #2) id 16Ihkb-0006OO-00 for rsgb_lf_group@blacksheep.org; Tue, 25 Dec 2001 02:55:34 +0000 Received: from MarkusVester@aol.com by imo-d10.mx.aol.com (mail_out_gc_dev1.2.) id l.161.62cd02a (3874) for ; Mon, 24 Dec 2001 21:54:13 -0500 (EST) From: MarkusVester@aol.com Message-ID: <161.62cd02a.29594454@aol.com> Date: Mon, 24 Dec 2001 21:54:12 EST Subject: LF: SpecLab generates DFCW, QRSS and 7FSK To: rsgb_lf_group@blacksheep.org MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="------------050301010609050305080108" X-Mailer: AOL 4.0.i for Windows 95 sub 72 Precedence: bulk Reply-To: rsgb_lf_group@blacksheep.org X-Listname: rsgb_lf_group Sender: This is a multi-part message in MIME format. --------------050301010609050305080108 Content-Type: text/plain; charset=windows-1252; format=flowed Content-Transfer-Encoding: 8bit Hi SpecLab co-users, Wolf's powerful program has a built-in terminal for digital modes for a SSB TRX. One of them is a Parallel-Multitone Hell modulator, which generates tones from the typefaces of text entered into the terminal. Combined with a font editor (e.g. Softy by D.W.Emmett), this becomes a universal tool to play with visual modulation schemes. The resulting tones are individually phase-coherent and can be soft-shaped to avoid clicks. For narrowband DFCW, I have prepared a font consisting of two lines of dashes and gaps. To use it, you have to copy the .fon file to the Windows\Fonts directory. After starting SpecLab and the digimode terminal, you can choose "DFCW" and enter Size = 1 in the Settings / Select HELL font menu. In Digimode Configuration, you select Parallel MT mode and then set Symbol Rate, TX Center Freq and FSK shift. For example, a symbol rate of 0.05 baud gives 3*20s dashes and 20s intervals. The dash and dot frequencies are related to the settings as f_H = CF+ FS * 4/8 and f_L = CF+ FS * 3/8, e.g. CF = 1422 Hz and FS = 0.8 Hz produces 1422.4 / 1422.3 Hz tones. An output level of 800% will give full scale DAC output, and the Symbol shaping time can be set for smooth edges (e.g. 20%). After you have pressed TX, any text entered will be sent to the audio output. Please don't look for all the special Morse characters, "sk" can be sent by typing # . Normally, the audio input and waterfall is automatically disabled during transmission, but you can reactivate it for duplex mode by clicking on the Sound-In box in the SpecLab Components diagram. To see your own signal as well, you may have to set up an analog loop by enabling Wave input in Windows' recording mixer. The other fonts are for CW/QRSS and the new 7FSK mode. For CW, simply set FS to 0 and CF to the desired audio note. The 7FSK freqs are f7 = CF + FSK * 4/8 ... f3 = CF f2 = CF - FSK * 1/8 f1 = CF - FSK * 2/8, e.g. CF = 2289.85 and CF = 1.2 above 135500 Hz zero beat gives Andy's set of frequencies. I have decided to add an extra space after each 7FSK pair. This does slow down the mode by a third, but it allows easier synchronization for the RX as well as QSK to watch between characters on the TX site, and it gives the PA a rest. Tnx agn to DL4YHF for SpecLab. 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